Wu Bingliang and Huanghuali Rosewood Seiko Heavy Equipment Debut National Museum
　　 In order to promote the Chinese national culture, promote the great development and prosperity of socialist culture, showcase the achievements of the arts and crafts, and publicize and commend the arts and crafts workers who have achieved outstanding achievements in the field of contemporary art creation. On April 16th, the “ China Contemporary Arts and Crafts Biennale â€, hosted by the China Academy of Art and co-hosted by the China Arts and Crafts Museum and the National Museum of China, was grandly unveiled at the National Museum in Beijing.
Xianghe Furniture City official website recommended search reading: Redwood Furniture Exhibition North Furniture Exhibition
　
Traditional furniture was selected for the first time
It is understood that this exhibition has received the attention and support of the Ministry of Culture and belongs to the national exhibition of the arts and crafts industry. The exhibition will bring together nearly 1,000 pieces of fine works of various arts and crafts in the country and some collections of the National Art Museum of China. The exhibition area is about 11,820 square meters. Compared with the previous art and art exhibitions, the scale has been significantly expanded. These works are high in art, exquisite in craftsmanship, have a distinct sense of the times and originality, and cover many categories of arts and crafts in China, including jade carving, tooth carving, stone carving, wood carving, ceramics, metal craft, lacquerware, embroidery, weaving and dyeing. Especially as a new category of arts and crafts, Chinese traditional mahogany furniture was first incorporated into the exhibition. Among them, a group of Ming-style huanghuali furniture and Qing-style rosewood furniture designed by famous Ming furniture designer Wu Bingliang The heavyweights are also on display, and won the praise of industry experts and exhibitors.
According to the Senior Consultant of the Traditional Furniture Committee of the China Furniture Association, the Vice President of the Collection Committee of the Chinese Cultural Relics Society, and Cao Jinglou, the former Director of the Wenbao Science and Technology Department of the Palace Museum, China’s traditional mahogany furniture is always close to the arts and crafts in the process of birth and development. Connected, it is the carrier of many art forms and crafts. For example, the enamel process is directly taken from the ancient Chinese wooden craftsmanship. The carvings are closely related to the wood carving art of Zhejiang Dongyang, Fujian Xianyou, Guangdong Chaozhou and other places. In the decorative techniques of the Qing Dynasty palace furniture, Bamboo carvings, jade carvings, painted porcelain tiles, etc. are all integrated with the furniture, creating a generation of legendary Qing Dynasty royal furniture. The combination of practical functions and artistic appreciation is also a remarkable artistic feature of traditional furniture. Therefore, the significance of contemporary antique boutique furniture is not limited to the practical use of life, but the arts and crafts that are rich in artistic connotation and interesting taste. However, although the current artistic value of traditional furniture has been recognized by the whole world, it has historically been regarded as a craftsmanship technique of “a hundred techniquesâ€, which cannot be included in the scope of culture and art for research and discussion, and other art. Compared with the category of traditional furniture, the lack of masters in the history of art has always been lacking. The lack of masters has also made the development of traditional furniture industry a problem of how to inherit and how to develop. As the leader of contemporary antique furniture, Wu Bingliang's work value and artistic achievements have been widely recognized by the industry. This exhibition of arts and crafts will incorporate antique furniture into the field of arts and crafts, and select these outstanding masterpieces of exemplary significance. I believe that it will have a guiding role in the further development of the mahogany furniture industry.
Wu Bingliang's works: The Ming and Qing Dynasties Dacheng
Since the beginning of the 1980s, Wu Bingliang has been engaged in the design, production, purchase and research of traditional antique furniture for more than 30 years. He has made profound achievements in the production experience and aesthetic sense of Ming and Qing furniture. The four-point aesthetic criteria of “typeâ€, “artâ€, “material†and “rhyme†were summarized as reference standards for tasting and designing furniture in Ming and Qing Dynasties. On this basis, he has both high-quality imitations of traditional furniture craftsmanship and masterpieces of his improved and innovative design. In terms of artistic style, his works are mainly represented by Ming-style huanghuali and Qing-style rosewood. The various styles of furniture art in the Ming and Qing Dynasties can be called the masters of the collection. Therefore, they have been recognized and respected by many experts, scholars and collectors of traditional Chinese furniture. They have been vying for collections by major museums at home and abroad.
In recent years, Wu Bingliang and his works have won numerous awards in various exhibitions and various occasions: In 2009, China International Design Art Fair, Tsinghua University Art Academy and China Building Decoration Association jointly awarded him “2008— 2009 Design Art Achievement Award"; In 2011, his work "Hainan Huanghuali Ganoderma lucidum Ruyi Peony New Double Bed Extra Beds" won a special gold medal at the "China (Shenzhen) International Cultural Industry Expo" held by the Ministry of Culture of the People's Republic of China. This is also the "five consecutive championships" of Wu Bingliang's furniture works in this award. At the end of 2008, Wu Bingliang selected hundreds of his works to collect and published a large-scale album of Wu Bingliang's Works Treasures through the People's Fine Arts Publishing House. This is also the most detailed collection of works showing Chinese traditional furniture in history. He was extremely sensational, and he was awarded the “Outstanding Contribution Award for the Succession and Development of Chinese Traditional Furniture†jointly issued by China National Light Industry Federation and China Furniture Association.
Ming-style huanghuali no-waist tyrants
It is reported that Wu Bingliang's exhibits are also based on two series of Ming-style huanghuali furniture and Qing-style rosewood furniture. Among them, there are innovative designs of "Ming-style huanghuali no-shoulder tyrants, big painting table" and "Ming-style huanghuali no-waist arhat bed", these two pieces of furniture turn the waist structure of traditional furniture into no waist The splicing method is more concise and bright in style. It expresses the aesthetic taste of the Ming style furniture, and is deeply loved by classical furniture lovers and collectors. The "Huanghua Pear No Waist Overlord's Large Painting Table" It was also collected by the National Museum of China.
In addition, the "Qinghua Huanghuali inlaid rosewood screen with the throne" and the "Qingdao sandalwood rosewood inscription" <Qingming Shanghe map> floor screen" are thick and heavy, the carving is meticulous, the overall system is solemn and powerful, highlighting the Qing style. The shape and appearance of the palace rosewood furniture. These works were exhibited in this exhibition together with some of his other masterpieces, attracting visitors to watch and watch.
Furniture boutique should be collected, the industry must go "fine quality"
In recent years, with the continuous stability and development of China's economy, in the context of “Shengshi Play Collectionâ€, people's enthusiasm for investment in classical furniture has also increased. Speaking of the significance of this traditional craft furniture being included in the field of arts and crafts for exhibition and publicity, the famous writer and Huang Huali furniture collector Hai Yan said that Ming style furniture and Qing style court furniture represent the literati and the ruling class respectively. Aesthetic taste is an art form that combines the aesthetic taste of the elite with the outstanding craftsmanship and precious natural materials. Therefore, it enjoys a high reputation in the world art forest.
Since the end of the Qing Dynasty, the traditional materials and production techniques of the Ming and Qing Dynasties have been repeatedly pushed to the edge by the trend of the times, and are gradually declining. Since the 1980s, the mahogany furniture industry has gradually revived. In recent years, it has entered a period of rapid development. However, the overall artistic level of contemporary mahogany furniture has not reached or exceeded the artistic height of Ming and Qing furniture, and does not correspond to the scale of the industry. . The public and academic research mostly stay at the stage of discerning objects, lacking research on formal aesthetics, modeling methods, cultural connotations, and how to inherit and develop. These problems have also hindered the further development of the mahogany furniture industry.
This China Arts and Crafts Exhibition will incorporate traditional furniture into the arts and crafts category. It can be said that the state has officially recognized the traditional craft art culture of traditional craft furniture, and it is also a respect for classical furniture culture. It is worthy of our guidance for guiding everyone to deeply understand the artistic and cultural connotation of classical furniture, enhance the taste of classical furniture collection, and then arouse the public's understanding and love for our own civilization.
In addition, the reporter also interviewed Wu Bingliang himself on the experience of the exhibition. At the same time, as the chairman of the traditional furniture professional committee of the China Furniture Association, he is more concerned about the industry prospects of traditional furniture. He said: "The development of China's contemporary antique furniture industry has gone through more than 30 years, and it has accumulated from it. Rich production experience and business experience. The next development, in order to avoid the shortage of resources in a short period of time, from our overall industry structure, we must take the 'boutique' route. The attitude of artistic creation treats mahogany furniture, and guides and regulates it according to the height and requirements of art evaluation, in order to avoid the one-sided pursuit of immediate profits, and the problem of consuming expensive materials in a short period of time, in order to drive the entire industry from processing to design. Production transformation, making more quality products to inherit the future, and then lead us to a qualitative leap in the entire industry."
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