Two years ago in the late autumn, a Chinese ancient furniture art exhibition called "Chiseling Craftsmanship" was unveiled in the Beijing 798 Art District, breaking through the traditional model of Chinese classical furniture exhibitions by age and material, with a unique perspective and form. Let people pay attention to and understand the evolution of Chinese furniture style from a more academic perspective. At that time, people would not have thought that this exhibition was like a prelude, which opened the curtain of a large-scale academic combing and display of Chinese classical furniture.
Chinese classical furniture is a precious cultural heritage of the Chinese nation and a wonder of the world's cultural heritage sites. Ancient Chinese furniture art is a special art form and has a very important value in the study of Chinese culture. Recently, the China Millennium Monument World Art Museum has worked together with famous institutions and collectors and scholars of Chinese classical furniture research and collection at home and abroad to expand into a calendar of two years ago on the basis of the ancient Chinese furniture art exhibition. In the five-year series of art exhibitions, under the general title of "Chiseling and Craftsmanship", the five categories of bedding, seat, harness, cookware and miscellaneous are used as separate exhibition titles.
Ancient furniture contains a large amount of historical, cultural and social information, reflecting the historical background, cultural environment, social customs and specific lifestyles of its manufacturing and use years, which embodies the Chinese faced by manufacturers and users. Ancient social system and cultural spirit. The China Millennium Monument World Art Museum and the Central Academy of Fine Arts, the China Yanhuang Culture Research Association, and the Guanfu Museum recently held the China Ancient Bedding Art Exhibition jointly held at the China Millennium Monument World Art Museum. The five-year Chinese classical furniture will be held. The academic combing and display was first introduced, and the meaning of Chinese traditional culture emerged spontaneously.
Ma Weidu, a famous master of ancient furniture collection and Guanfu Museum, believes that traditional Chinese furniture contains the most essential principles of survival of farming people. Furniture conveys not only the material of a nation, but also the spirit of a nation. It is believed that the spirit is always on the upper level, the spirit is always on the top, the metaphysical is the way, the subordinate is the instrument, and the furniture is also the first and the last. For thousands of years, this humanistic spirit has created the uniqueness of the Chinese. Cultural temperament.
Ancient Chinese bedding is not only an ancient living and sleeping device, but also widely used in social, work and other social activities. Its use, although it varies from time to time and from place to place, but today we are today You can still follow the veins of its traditional culture and find common elements to understand and understand the attitudes, life philosophy and wisdom of life of ancient people. The classics of ancient furniture show the abstract aesthetics of simple, solemn and gorgeous through the abstract rhyme displayed by material materials.
Wen Chengtang, Zhang Chunlin and other ancient Chinese furniture researchers regard the bedding as the core of the ancient living room. Ancient bedding is an important tool in the halls, sleeping rooms and study rooms of people's lives. The use of each period expresses the history of each period. Traces of development. From the initial seat to the development of the bed with mature and perfect design, each period has its peak development stage, and the wisdom of human creation is exhausted. The production of bedding from simple to complex is not only the actual needs of people's lives, but also the pursuit and cultivation of spiritual level, as people often say "God" and "Rhyme". The production of ancient bedding is sufficient to highlight the artistic process of the development of architecture, painting, sculpture and other creative arts in various periods in history.
The dozens of representative works of Chinese classical bed in the exhibition hall of the China Millennium Monument World Art Museum, through "history, trace the source", "ritual, carrying the road", "Wen·Jiangshan sleep", "An· Thematic units such as “Essence of Life†and “Arts and Craftsmanship†systematically showcase the extraordinary achievements of ancient Chinese furniture art, vividly display the excellent traditional culture, traditional lifestyle and cultural conception, so that visitors can vividly appreciate it. The unique and moving artistic charm of ancient Chinese furniture.
Different from many collectible exhibitions, dozens of exhibits from the Ancient Chinese Bedding Art Exhibition originated from different eras and are the most representative classics in bedding, and are also provided by collectors for free. The boutique collection allows visitors to learn and explore the ancient Chinese home life, the evolution of furniture, the craftsmanship of ancient sage furniture manufacturing and the profoundness of Chinese culture. This highlights the exhibition orientation and the main purpose of tasting the ancient furniture culture as the foundation, studying the artistic value of classical furniture, and inheriting and promoting the Chinese traditional culture, and never insulting commercial purposes. Visitors will be amazed by the fact that the collection must have an argument and a slogan that the collection must be profitable.
Xu Ping, a professor at the Central Academy of Fine Arts, believes that although the traditional Chinese furniture market has become hotter in recent years and there are more and more exhibitions focusing on ancient Chinese furniture, the exhibitions that really focus on the furniture context and its systematic research are still rare and the surface is flourishing. Internally poor. In just a few hundred years, the home life with traditional furniture as the main body was quickly thrown into the depths of history, and the human spirit inevitably changed greatly in this process. The spirit we face today The dilemma is actually linked to this change. Xu Ping said that not long ago, there was a dispute in the society about whether Li Bai’s "Before the Bed" refers to "bed" or "well". It is a feeling that in a small poem in history. Whether the scene is indoors or outdoors is not so important. What is important is that this controversy shows that we are far apart from the spiritual atmosphere that we thought we were familiar with, and those who once supported a nation are refined, chic, self-respecting, Implied life has gradually distanced us from modern life.
The organizers and organizers of the Ancient Chinese Bedding Art Exhibition have long-term continuous attention to ancient Chinese furniture and its academic research, striving to get rid of the entanglement of commercial interests, and to present the wonderful display of traditional furniture with a candid history. In the face of the world, at the same time, it also conveys the unremitting efforts and pursuit of people's desire to reshape the taste and cultural dignity of Chinese furniture.
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